Sports is the third album by American rock band Huey Lewis and the News, released in 1983 (see 1983 in music). This was the album that made the band famous, reaching number one on the Billboard 200 on June 30, 1984, and making the band internationally known. The album has been certified 7x Platinum by the RIAA. Sports was ranked number 2 on Billboard's 1984 year-end album chart, after Michael Jackson's Thriller, and spawned four top 10 hits on the Billboard Hot 100 and a fifth that went top 20. It also did very well internationally, with most of its singles reaching chart peaks in various countries.
The album's biggest hit, "I Want a New Drug", was certified gold with sales of 500,000 copies in 1989, and was also the center of a lawsuit against artist Ray Parker Jr. who was accused of plagiarizing the song for his 1984 hit "Ghostbusters". The case was eventually settled out of court for an undisclosed sum.
Another single, "The Heart of Rock & Roll", a top 10 hit for the group, was later ranked at #6 in Blender magazine's list of the "50 Worst Songs Ever", with its worst moment coming in "the second verse, when that cheeky Huey almost uses the word 'ass'".
LP PRESSED IN JAPAN BY TOSHIBA-EMI
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Afterglow was released on November 4, 2003 and was a success in North America, reaching number two on the Billboard 200, selling 361,000 copies in its first week of release and number one on the Canadian charts.[9] It also has reached #33 in the UK (McLachlan's biggest success there thus far) and the top 50 in Australia in 2004. The first single, "Fallen", reached the top ten on the Adult Top 40 Billboard charts and a remix reached top ten in the United States dance charts. A second single, "Stupid" was released in March of 2004.
McLachlan was nominated in five Juno Award categories in
Afterglow managed to sell over 2,500,000 units in the
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True Stereo is one of the most faithful techniques around and gives an honest, uncoloured interpretation of the music, making it perfect for instrumental or acoustic live studio performances. Frequently, natural ambiences like Churches or Concert Halls provide a richer, as-live, environment to set the instrumentation.
Part of the artistic edge of our True Stereo recordings in the realm of jazz, is that our acclaimed Chicago based engineer, Ken Christianson, sits back and captures the session, giving the artists the freedom to self-produce. In this approach there is liberty to record whatever material the artist feels comfortable with. No interference from the engineer, the label and not even a producer as such: Complete creative freedom.
Produced by Ken Christianson
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